Rev Malcolm Buchannan (1880-1954)

Malcolm Buchannan was one of Whitby's characters. 

An energetic High Church Anglican priest, his obituary from 9 July 1954 gives a full story of his remarkable life.  I am not sure where, in his far-flung ministry, this photograph was taken – possibly the Transvaal.

Rev Malcolm Buchannan

FAITHFUL PARISH PRIEST

Rev M Buchannan's Notable Life

By the death of the Rev Malcolm Buchannan, which occurred on Sunday night at his home, St Hilda's Terrace, Whitby, the town lost a man who defied ill-health to continue his vocation almost to the end. 

A native of Whitby, Father Buchannan was educated at Hallgate's School at Whitby, and subsequently attended Durham School and Durham University, where he gained prominence as an oarsman, rowing in representative events for the Varsity. 

He was a son of Mr Charles Buchannan, and a grandson of Mr George Weatherill, the famous artist, and he felt the call to the work of the Church, and as a priest of the Church of England did an outstanding service to his fellow men, not only in England, but in Canada, South Africa and Trinidad.

A man of great personal charm, Father Buchannan's chief characteristic was his sincerity.  He was ordained curate in 1903 at Durham and his first appointment was as a curate at St Mark's, South Shields, where he remained for three years, being priested in 1904. 

'George Weatherill – his family, and their art' by the Rev Malcolm Buchannan

This is the text of an address given by the Rev. Malcolm Buchannan, M.A., grandson of George Weatherill on October 7th, 1949.

It is a delightful talk, particularly such stories as his grandfather walking from Yarm to York as a teenager to attend a court case for his employer, and walking back again the next day – and how he used to get up at 5 o'clock in the morning to paint the sunrise from East Cliff.

The artist George Weatherill (1810-90) and his children

George Weatherill was born in Staithes in 1810 and died in Whitby in 1890.  His delicate, subtle watercolours of the Whitby area have always been widely known and loved – he has been called the "Turner of the North".

One of the largest and most important collections of his work was that of County Alderman Robert Elliott Pannett (1834-1920).  His devotion to the welfare of Whitby and its people led him to many acts of generosity, and in 1902 he bought land near the centre of the ancient, crowded town because he believed that both residents and visitors would benefit from a park where they could enjoy fresh air, trees and flowers.  He bequeathed the land to the town – it is now Pannett Park.

There you will find the Pannett Art Gallery.   This was another gift to Whitby from Mr Pannett, built to house his art collection.  It opened on 1 August 1928, with one gallery devoted entirely to the display of 148 paintings by George Weatherill.  (I think the Art Gallery website is very new and still under construction – I look forward to more appearing on their Galleries page.)

George taught all his children to draw and paint, but their work is less widely known. 

The Weatherill family tree: compiled by Richard Weatherill (1844-1923)

Excerpt from Richard Weatherill's manuscript

Richard Weatherill (1844-1923) compiled a family tree from the memories of his father, the artist George Weatherill (1810-90). 

He supplemented it with further research, particularly in the Parish Registers of Easington and in the Easington, Whitby, Hinderwell and Guisborough churchyards.  A copy of his manuscript (missing one page) is held by the Whitby Literary & Philosophical Society.

Another copy is owned by descendants of the Guisborough Weatherills; this copy has later amendments by Charles Buchannan (Richard Weatherill's nephew) and others.

The information below is taken from both manuscripts.  Passages marked in quotations are taken directly from Richard Weatherill's manuscript. 

Changing Guisborough market day: 1813

From the Day Book of Thomas Jackson (1775-1834), farmer of Lackenby:

June 10th 1813    I was sumas [summonsed] to appear at Guisbro on the Above Day a few Days before as a Jury man upon altering Guisbro Market Day from Friday to Tuesday when after hearing witnesses on boath sides the Jury came to give there Verdict out of 18 Jury Men 9 was for Friday and 9 for Tuesday they sat 16 Hours upon it and neither party would give way.  It was agreed upon Thos Rood of Marton for Tuesday men and Thos Nesham of Stockesley … on Friday Men to [de]cide the [Business] Thos Nesham return and said they had agreed for it to be altered to Tuesday to which where all sd to agree by us passing our word before whe would agree to what they did
        Thos Jackson

Guisborough Priory
from an old picture in my possession

This text, of the last known market charter of Guisborough, seems to be the charter issued as a result of that acrimonious meeting:

Cleveland
GUISBROUGH
Markets and Fairs

Notice is hereby given, that Robert Chaloner, Esq. Lord of the Manor of Guisbrough, has obtained His Majesty's Letters Patent, licensing him to hold a Public Market in Guisbrough aforesaid, on TUESDAY in every Week, instead of Friday in every Week: And also Two Public Markets annually, one on the Last Tuesday in the Month of June in every Year, for the buying and selling of LONG WOOL; and the other on the Last Tuesday in the Month of July in every Year, for the buying and selling of SHORT WOOL.  Also a Public Fair on the several Days following:-

The Last Tuesday in APRIL instead of The Third Tuesday after 11th Apr
The Tuesday before WHIT-SUNDAY instead of Whit-Tuesday
The THIRD Tuesday in AUGUST instead of 27th August
The THIRD Tuesday in SEPTEMBER instead of 20th September
The SECOND Tuesday in NOVEMBER instead of The First Monday after 11th Nov

And a Public Fair on the Last Tuesday in the Month of March, annually.

The FIRST FAIR, agreeable to the above alteration, will be held on Tuesday, the 26th of APRIL; and the FIRST MARKET, on Tuesday the 3d of MAY, 1814

Christopher & Jennett, Printers, Stockton

The late Miss Grace Dixon noted that later in the 19th century the question of the market and fair dates

"became much less formal and the town made various alterations of dates as it suited them.  The dates of fairs remained in spring and autumn until mid 20th century"

Mrs Lydia Metcalfe of Yarm, in 1784

Yarm Town Hall, built 1710

A Deed donated to the Hutton Rudby History Society may be of interest to people looking for ancestors in Yarm and to members of the Metcalfe family.

The Deed, dated 10 July 1784, records the repayment of mortgages by Mrs Lydia Metcalfe of Yarm.


The main points are as follows:

In 1745 Lydia Smith owned property in Yarm.  On 7 December 1745, shortly before her marriage to Henry Loughhead, she settled her property on trustees to hold it on her behalf, free from the control of her husband.  (It was not until the Married Women's Property Act 1882 that married women could hold property in their own right.)

Her trustees were Jonathan Hedley and Benjamin Flounders.

Tom Brown of Kirkleatham & Yarm, hero of Dettingen

William Hutton, in his A Trip to Coatham, gives a wonderfully vivid account of the story of Tom Brown, the hero of the battle of Dettingen 1743. 

While he was at Kirkleatham in 1809, Hutton went to find the site of Tom Brown’s birthplace and to visit the hero’s nephew (see p 166 of the scanned book):

It never occurred to my thoughts, when Tom’s exploit blazed over the world, that, sixty-six years after, I should see his portrait, handle his sword and record the fact.

Tom Brown was born in Kirkleatham, apprenticed to a shoemaker at Yarm, and enlisted in the Inniskillen Dragoons. 

He was five feet eleven, and well made, rather bony.  At the battle he was twenty-eight years old.

He served with outstanding valour at the Battle of Dettingen in 1743 in the War of the Austrian Succession - the last battle when British forces were led into action by their King.

Tom was terribly wounded – as can be seen from his portrait (to be found in this full account of the battle)

As William Hutton observed, the portrait

exhibits two wounds in the face; one is a cut, seemingly with the point of a sword from the top of the forehead to the corner of the left eye.  The other, across the upper part of the nose, which obliged him to wear a plate of silver; now lost.

He retired to Yarm with a pension of £30 a year from the King, and died there in 1746.

His grave is marked by a memorial erected by the Queen's Own Hussars in 1968. 

Do see Bob Scotney’s account, with details of the painted sign that used to be attached to Tom Brown’s house in Yarm – and a transciption of the Song of the Silver Nose.